Heartbreaking Bravery

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Tag: 7″ stream

Melkbelly – Mount Kool Kid b/w Elk Mountain (7″ Review)

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When last week came to an end, it gifted the world great new tracks from the likes of ESP Ohio, Cross Country, Marissa Nadler, Field Music, Pamphleteers, Fond Han, WTCHS, Death By Unga Bunga, Grandaddy (x2), Sonic Avenues, Black Marbles, Hello Shark, Peaer, Pony Hunt, Oathbreaker, Computer Magic, Jason Isbell & Amanda Shires, Sean Rowe, Ricky Eat Acid, and Francie Moon. Those weren’t the only things this week’s left in its wake. Along with those titles, there was also (finally) the release of the Mount Kool Kid b/w Elk Mountain 7″ from Melkbelly.

The band first teased this release more than a full year ago by uploading an early, unfinished version of “Mount Kool Kid” to their bandcamp. That version’s been pulled in the time that’s elapsed since its quiet release and its absence has finally been amended with the release of the band’s latest 7″. “Mount Kool Kid” remains an absolute beast of a song, echoing shades of the very best noise, basement punk, and hyper-spastic pop acts in one fell swoop.

Even though it wears all of those influences proudly, “Mount Kool Kid” is still very distinctly Melkbelly. The enhanced production brings out a near-feral rawness in the track that was previously buried, albeit still evident. Everything hits tremendously hard in this more polished version, utilizing Albini-esque tactics for the drum sounds and providing some layers that allow it a more expansive sound.

The flip-side of the 7″ is “Elk Mountain”, which dials back the ferocity to expand on the band’s penchant for grunge and sludge-leaning moments. While the tempo recedes, the abundance of feeling remains in tact. Not a moment of “Elk Mountain” is anything less than exhilarating. Guitarist/vocalist Miranda Winters helps set these songs apart by infusing them with a surprising amount of delicacy that elevates both of these tracks into the realm of the sublime.

Both “Mount Kool Kid” and “Elk Mountain” are incredibly dynamic, compelling  tracks that near the four-minute mark. For virtually every second of their run-time, there’s an admirable choice that manifests in the songs. Whether it’s a drastic tempo change, a vocal run, a runaway drum break, or a sudden commitment to overwhelming heaviness, those choices enliven both tracks, leaving Mount Kool Kid b/w Elk Mountain as one of the best 7″ releases anyone’s likely to hear in 2016. So, stop reading, hit play, surrender to the band’s chaos and get swept up in the frenzy.

Listen to Mount Kool Kid b/w Elk Mountain below and pick up a copy here.

Clearance – Owner/Operator (Stream)

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Since Friday, there have been notable streams from IAN SWEET, Fake Palms, American Wrestlers, Space Mountain, John K. Samson, Tanukichan, What Moon Things, Peace Be Still, Axis: Sova, Twist, The Veils, Quarterbacks, J&L Defer, Bon Iver, Cheshires, Black Thumb, CHUCK, Suntrodden, Makeout Point, Shapes In Calgary, Adam Torres, Dowsing, and Hiva Oa that have all appeared. On top of that, there were great music videos that came courtesy of Pleasure Leftists, Jake S-M, Breathe Panel, Emma Russack, Winter, Ka, and Pfarmers. Full streams that came via Bueno, Swimsuit Addition, Echo Courts, Big Bliss, The Channels, Cassels, BJ Barham, Dolfish, and Red Heat closed the haul of new material out in a memorable fashion.

All of those entries impressed on multiple levels but it was the latest offering from site favorites Clearance that earned this post’s featured position. “Owner/Operator” is the band’s second individual release — following the excellent “Are You Aware” — since their outstanding Rapid Rewards LP and sees the quartet continuing to find fascinating ways to balance a carefree atmosphere with urgent conviction. The song will be featured as part of their forthcoming Are You Aware 7″, which seems poised to stand as one 2016’s finest releases for that format.

A large part of those expectations can be accredited to the successes of “Owner/Operator”, a breezy and bristling three-and-a-half minute number that both refines and advances Clearance’s songwriting. From the structure to the dynamic nuances, there’s an uncommon liveliness that electrifies the proceedings, pushing a good song into the realms of greatness. Surprisingly memorable, weirdly powerful, and unashamedly casual, “Owner/Operator” is an unlikely slacker pop anthem for the basement punk crowd.

Listen to “Owner/Operator” below and pre-order Are You Aware from Tall Pat here.

What A Difference A Month Makes (Full Streams)

Let’s get this out of the way at the top: there hasn’t been a post on this site for roughly a month. A large part of that development is due to the fact that for approximately half of that timeframe, I’ve been on the road and either playing or taking in shows (the majority of which will be receiving coverage here at some point in the near future). During that stretch, a lot of material has surfaced. From extremely strong post-punk debuts to an astonishing, simultaneous 35-record release, it’s been a fascinating month. Below is a collection of some of the finest releases that have emerged over the past several weeks. Enjoy.

Gland, Phosphene, Husdon Bell, No Ditching + Baby Ghosts, Mean Jeans, Dump Him, Free TimeTender Age, Hurry, J. Robbins, Hayden Calnin, Wood Lake, Animal Faces, A Giant Dog, Haybaby, Museum Mouth, JulianCrossed Wires, Hovvdy, Nearly Oratorio, Psychedelic Witchcraft, Plants & Animals, Pity Sex, Those Pretty Wrongs, Tyler Jordan and the Negative Space, Grubby Little Hands, Beach Skulls, Lenguas Largas, Sorority Noise, TV SetsDoctor Barber and Fog.

Spice BoysYoni & Geti, Klaus Johann Grobe, Quinn Walker (x35), Colleen Green, Modern Baseball, skating, The Duke Spirit, Kikagaku Moyo, Star Parks, Hydropark, Pinkwash, Stone Cold Fox, Half Waif, Lacerate, microsoft saint, Mo Kenney, Hey Lover, Cave States, CE Schneider Topical, Dietrich & Barnes, Britta Phillips, Praise, Boyscouts + Ylayali, Oliver Wilde, Flasher, Acapulco Lips, Constant CompanionGrayling, and an outstanding new Z Tapes compilation.

March 2016: The Full Streams

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Once more, a lot of material has surfaced since this site’s last regular update. A few premieres are in the (very) near future, though, as are a series of recaps. A few of those — like this very piece — will be limited to March, while the others will cover the first, very rich, quarter of 2016. Since so much has amassed in that period of time, a lot of these will simply be presented as lists with hyperlinks. As much as I wish I could grant all of these individual pieces the attention they genuinely deserve, the most I can do at this point is make sure they don’t go completely unnoticed. Now that all of that’s covered, please enjoy this list of March’s finest full streams (the best approach to consumption would be to bookmark the page and explore it at will). Keep an eye on this site for a lot more in a very short span of days as it claws its way back into regular coverage.

Tacocat – Lost Time | The Sun Days – Album | Bent Shapes – Wolves of Want | Littler – Of Wandering | Tancred – Out of the Garden | Mermaidens – Undergrowth | Orations – Incantation | Bruise Bath – The First Two | Soft Fangs – The Light | Slingshot Dakota – Break | Museyroom – Pearly Whites | Frankie Cosmos – Next Thing | Music Band – Wake Up Laughing | Hit Bargain – Hit Bargain | Audacity – Hyper Vessels | Woods – City Sun Eater in the River of Light | B Boys – No Worry No Mind | Japanese Breakfast – Psychopomp | Holiday Home – Greetings From | Govier – Predator | The Wandering Lake – From James’ Garden / Ashame | Meatbodies – Valley Girl Hibernation

Oddissee – Alwasta | Shya – Trying | Say No! To Architecture – SN!TA | John Congleton & The Nighty Nites – Until the Horror Goes | Pissed Off – 😡 2 | Lil Yachty – Lil Boat | SMILE – Rhythm Method | Tournament – Teenage Creature | Night Idea – Breathing Cold | Human People – Sleep Year | Foul Tip – Forever Driftin’ | Fat Tony – Look | Public Memory – Wuthering Drum | Snow Roller – What’s the Score? | Beat Awfuls – Nothing Happens | RJD2 – Dame Fortune | Dumpster Tapes – Monster Compilation: Vol. 2

Bad Wig – Bad Wig (EP Review, Stream, Live Video)

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[EDITOR’S NOTE: With the site now entering emergency year-end catch-up mode thanks to the cruel, mocking nature of time, tonight’s trio of posts will simply be short reviews of the album(s) in the headline(s) and an accompanying list of records that deserve to be heard.]

Earlier this year Bad Wig were still flying underneath the banner of The Midwestern Charm. Just after signing to Texas Is Funny, member departures and an accompanying shift in style facilitated a name change and the band’s not showing any desire to look back. All of that tumultuous internal terrain’s somehow translated into propulsive momentum and Bad Wig‘s the proof. “Stargazer“, a song that predated the name change and merely existed as a demo for The Midwestern Charm’s principal songwriter, Connor La Mue.

Despite being unattached to any project at the time, “Stargazer” earned a mountain of praise from this site while foreshadowing what was to come. The band’s now a trio and La Mue and fellow Midwestern Charm member Ryan McCrary now share vocal duties, each bringing a fiercely engaging approach that suggests they’ve been spending a lot of time picking up cues from the neighbors in Midnight Reruns and (especially) Tenement. Lo-fi, battered, and gritty as hell, this demo EP- released as a limited-run cassette- is one of 2015’s finest releases.

Listen to Bad Wig below and pick it up here. Below the embed, explore some live videos of the band performing songs from the EP and a collection of some of the best full streams to surface over the past several months.

Pouty – Take Me To Honey Island
Vicky Speedboat – Two Years No Basement
☺- Boosegumps
Kississippi – We Have No Future, We’re All Doomed
Pool Holograph – Mortals
See Through Dresses – End of Days
Daddy Issues – Fuck Marry Kill
Adir L.C. – Oceanside Cities
Nigel Hall – Ladies & Gentleman…
Soldiers of Fortune – Early Risers
Crusher – Demo
Intertwine – Goraikoo
chipmunkson16speed – Sludgefest
dæphne – Full Circle
Daniel Menche & Mammifer – Crater
Penny Lame – Penny Lame
Busdriver – Thumbs
Go Deep – Influence
S.M. Wolf – Neon Debris
Keita Juma – Nights In Space A Short Film
KwolleM – Mellow
High Bloom – Haloed
Granny – Egg

Patio – Patio Songs (Demo Review, Stream, Live Video)

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As 2015’s progressed, a handful of people I’ve been fortunate enough to know have come out swinging with intriguing musical projects. Two projects that immediately jump to mind are the no-holds-barred Kodakrome and the seductively noir-ish Patio. I was fortunate enough to host some of Loren DiBlasi’s writing in the first A Year’s Worth of Memories and have been consistently struck by the prevalent thoughtfulness of her many other pieces at places like Impose and MTVNews.

A similar thoughtfulness courses through Patio’s music, which finally found an official release via a two-song demo that was released at the end of October, right around the time this site’s regular coverage went on an extended hiatus. There’s a very palpable sense of history on display in both “luxury” and “air j” which echo shades of everything from post-punk pioneers like The Gun Club and The Birthday Party to contemporaries like Big Ups.

Lindsey-Paige McCloy takes on the bulk of the band’s vocal duties, effortlessly conjuring up an air of subtle mystique while the band’s rhythm section (made up of DiBlasi on bass and Alice Suh on drums, both  of whom also tackle an occasional vocal part) keep everything grounded. Everything’s played for maximum effect and is exceedingly impressive in terms of atmosphere, thanks in large part to the band’s understanding that post-punk generally functions best when it scales itself back.

Part of the success of the band’s minimalist approach lies in their gift with understatement; when McCloy and DiBlasi trade vocal leads on “luxury”, it never feels anything less than casually supportive (the polar opposite of the traded vocals dynamic on The Libertines). After Patio Songs immediately announces its voice in the shrugging, half-detached, tragicomical “luxury”, Patio flashes some formidable pop sensibility in “air j”, which evokes the very best of ’90s alternative radio and caps a very worthy introduction to one of 2015’s most promising new acts. Don’t be surprised if they wind up making the slacker punk soundtrack of next summer.

Listen to Patio Songs below, watch a pair of videos of the band playing their first show, and pick the demo up here. Underneath the embeds, explore a list of other great full streams to have appeared in the past few months.

Le Rug – Game Over
Goth Babe – Fuzz Ghost

Dick Stusso – Nashville Dreams/Sings the Blues
Globelamp – The Orange Glow
Palm – Trading Basics
Sheer – Uneasy
Soggy Creep – Drag the Well
Noun – Throw Your Body On The Gears And Stop The Machine With Your Blood
The Dictaphone – Hazmat
Three Man Cannon – Will I Know You Then
Zanders – Buried Men
Swings – Sugarwater
Big Hush – Who’s Smoking Your Spirit?
Slight – Hate the Summer
Eugene Quell – I Will Work The Land
Marriage + Cancer – Killjoy b/w Nothing’s Wrong When Nothing’s Real
Addie Pray – Screentime
Failed Mutation – See You Tomorrow
Kindling – Galaxies
Wrekmeister Harmonies – Night of Your Ascension
Miya Folick – Strange Darling

Dusk – Too Sweet (Stream)

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Even though more than two dozen of the past week’s items have been covered, there’s still a large handful of releases that haven’t been mentioned. Dusk’s B-side to “(Do The) Bored Recluse” led a formidable pack of noteworthy new songs and full streams. In the former caAtegory, there were memorable new numbers from Florist, Tigue, The Coathangers, Pinegrove, Foxing, Tenement, Historian, Monella, and Total Abuse, as well as a respectable Fugazi cover from The Dirty Nil. The full streams were well-represented with an eclectic trio of releases from Weyes Blood, Operator, and Bad Wig. All of those are, as always, worthy of investment- but it was Dusk’s latest that felt most deserving of this post’s headline.

As previously stated– and evidenced by this very post– any time anything Tenement-related surfaces, there’s a decent chance it’s going to get featured. There has been no other band I’ve recommended more times over the course of the past eight years and the band’s many side projects have warranted a great deal of attention; Dusk is no different. A collective of some of the sharpest musical minds in Wisconsin’s Fox Valley area, Dusk magnify Tenement’s relatively contained classic country influence into something effortlessly convincing.

“Too Sweet” sees the vocal lead shifting from Amos Pitsch to Julia Blair, who has no trouble carving out a commanding presence as the song’s central player. Nuanced pedal steel work and an impressive keys figure drive the song’s open-road feel, while Pitsch’s layered backing vocals inject the song with the kind of character that’s come to define his main vehicle. All the while, the rhythm section remains focused, covering up the song’s saccharine sensibilities with a coating of grit; a trick that plays directly into the song’s lyrical content.

It’s a clear-eyed love song that’s covered in bruises and it exhibits an incredible amount of promise for the members’ latest undertaking. “Too Sweet” also cements (Do The) Bored Recluse b/w Too Sweet‘s status as one of this year’s finest 7″ releases. Make sure it’s in as many collections as possible by following the order link below; this isn’t something to be missed.

Listen to “Too Sweet” below and pick up a copy of the 7″ from Forward! Records here.

Hung Toys – Lurid (Album Review, Stream)

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There have been several dozen records unveiled in the past few weeks that merit attention. One of the latest in that string of releases has been flying completely under the radar despite the pedigree of the musician responsible. While Geronimo! weren’t the most well-known band but they meant a lot to a small but devoted following. I was happy to count myself among the converted and having the band headline this site’s first showcase on their farewell tour was something I won’t be forgetting anytime soon. However, the more you pour yourself into something, the more it stings when the container shatters.

While Geronimo! is officially over, a few of the bands members are working on new projects- the latest being guitarist/vocalist Kelly Johnson’s solo venture Hung Toys. Earlier this week, Johnson’s project released Lurid a full-length collection that finds the songwriter immediately diving back into the propulsive effects of his old project. Opener “Gotta Drink Some Water” is a monster of a basement punk song that’s as bruising as it is intriguing. It’d be easy for the rest of Lurid to fall short in the song’s tremendous wake but Johnson manages to subvert and expand central ideas across the rest of the record, exploring a range of styles that recall everyone from Terry Malts to, of course, Geronimo!.

All of Lurid comes off as an incendiary gut-punch and only the title track, the record’s sprawling closer, exceeds the 2 minute and 10 second mark. At times the record plays like a gambit and runs the risk of appearing as a genre exercise. By the time the record’s halfway mark gets highlighted by the searing instrumental attack that is “Blendered”, it becomes clear that Johnson’s songwriting is too capable (and substantial) to be reduced to something that hackneyed. Lurid is a record that rewards investment and begs for repeat listens, wielding its unerring immediacy as a formidable weapon. Powerful, brute, and spectacular, Lurid stands as one of 2015’s most welcome- and unexpected- entries.

Listen to Lurid below and explore a list of some of the best records to surface over the past two weeks.

The Yolks – Don’t Cry Anymore
Grubs – It Must Be Grubs
Alimony Hustle – BNOC b/w Zero Chill
Bob Keelaghan – Country Fresh: A Ghost Guitar Soundtrack
Hot Flash Heat Wave – Neapolitan
James Elkington & Nathan Salsburg – Ambsace
Salad Boys – Metalmania
Astronauts, etc – Mind Out Wandering
Nuclear Age – The Distinct Sounds of…
Pontiak – NOPE/JEPPE
Roger Lion – Roger Lion
Media Jeweler – $99 R/T Hawaii
Broomfiller – Third Stage Propellor Index
Guerilla Toss – Flood Dosed
Baston – Gesture
Yonatan Gat & Gal Lazer – Physical Copy
Carroll – Carroll
Blonde Summer – Paradise
Alone at 3AM – Show the Blood
Tedo Stone – To the Marshes
Jóhann Jóhannsson – Sicario
Diät – Positive Energy
BIG|BRAVE – Au De La
Rat Columns – Do You Remember Real Pain
Wand – 1000 Days
Tommy Stinson – L.M.A..O.
Lucern Raze – Happy & Astray
Summer Twins – Limbo
Blessed Feathers – There Will Be No Sad Tomorrow
Daniel Klag – Reality and Self
Dead Heavens – Adderall Highway
Loma Prieta – Self Portrait
Spencer Radcliffe – Looking In
Holy ’57 – Au Naturel

Mike Krol – Neighborhood Watch (Music Video)

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After a relatively slow start, the Tuesday push of new releases saw the content push rapidly accelerating and left us with a little under three dozen items to cover. Once again, there were some strong full streams from great artists like Infinity Girl, Modern Merchant, Wild Moth, Peterborough Pirates, and The Invisible Strings (as well as the 16th LAMC split, this time between La Luz and Scully). A handful of great music videos made their way out into the world, coming from acts like Potty Mouth, Findlay Brown, The Good Life, Django Django, Sea of Bees, Whitewash, and Floating Points. Then, of course, came the slew of single streams that included outstanding new entries from a field consisting of no less than Spencer RadcliffeLow, Small Black, Sudakistan, Farao, Kevin Devine (covering The Cure), Varsity, Amanda X, Hurry Up, Blonde Summer, Library Voices, Antibodies, Active Bird Community, and Protomartyr. It was a lot to take in and literally everything linked above, as always, is worth checking out- but today’s focus falls to a name new to most but familiar to me: Mike Krol.

For years, Krol’s been involved with the DIY punk scene in the upper Midwest and found himself in frequent collaboration with the tragically under-appreciated (and sadly defunct) Minneapolis-via-Madison act Sleeping in the Aviary. It’s a collaboration that continues today (several of the band’s former members play on Krol’s upcoming Merge debut Turkey), which probably isn’t surprising considering how frequently they toured together (Sleeping in the Aviary was Krol’s backing band on more than one occasion) and the fact that Sleeping in the Aviary literally dedicated a song to Krol in its title on one of the best split 7″ records of the 2000’s.

Already a few great releases into his career, Krol’s deal with Merge has ensured a lot more eyes will be trained on his next few moves and so far, the songwriter hasn’t disappointed. After “This Is the News“, Turkey‘s fiery as hell lead-off track, it was abundantly clear that Krol’s wielding more power than ever- and doing it with an almost vengeful force. For his latest feat, he’s enlisted Rob Hatch-Miller and Puloma Basu to direct a screwball clip for Turkey highlight “Neighborhood Watch”. Adopting a vocal approach that has some uncanny similarities to Davey Jones of Lost Boy ? makes “Neighborhood Watch” sound immediately familiar (and endlessly enjoyable) on record, it’s the clip that pushes it over the edge. Emphasizing Krol’s penchant for irreverence and incorporating a barrage of winking edits, “Neighborhood Watch” infuses itself with enough self-effacing slapstick to make it one of 2015’s more enjoyable outings. For some tongue-in-cheek humor and yet another genuinely great song, this one’s going to be hard to beat.

Watch “Neighborhood Watch” below and pre-order Turkey from Merge here.

Dilly Dally – Desire (Music Video)

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This week, like just about any other in 2015, has been enormous for music. Since this site’s coverage was entirely dedicated to live coverage over the course of the past 7 days, these next two posts will be focusing on the great new material that saw release during that time frame. Starting with the full streams, there was no shortage of spectacular releases, including new entries from Ronnie Stone & The Lonely Riders, Doubting Thomas Cruise ControlGardens & Villa, Places to Hide, Jesse PayneMorly, Frau, The BarreracudasPawns, and Sieveheads. Music videos had a week just as strong, one that included great clips from the likes of La Lenguas, The Arcs, Noveller, Youth Lagoon, This is the Kit, Lithuania, VundabarJoanna Newsom, PalmWhite Reaper, and Palehound. Of course, it also included the incredible featured video from site favorites Dilly Dally.

Just over a month ago, “Desire” was covered at great length on its own merits as a standalone single. Now that the band’s got the advantage of a visual medium, they can start hammering home some of Sore‘s driving thematic elements. “Desire”, specifically, is grounded with a through line about sexual release- something that comes to the fore through sensuous lighting, a color palette that’s frequently tinted white, and suggestive imagery that balances the beautiful with the mundane. There’s an emphasis on repetition and motion, which- combined with the provocative whites that dominant the video’s middle section- act as perfectly analogous to the song’s original conceit.  It’s a stunning, elegant work that complements the song to a sublime perfection and isn’t afraid to shy away of the difficult, ordinary aspects that help humanize an otherwise otherworldly experience.

Watch “Desire” below and pre-order Sore from Partisan here.