In Young Enough, Charly Bliss once again found their way to one of the year’s best records. The record’s title track served as a show-stopping centerpiece, affording Hendricks a jaw-dropping moment of not only self-understanding but self-reclamation and personal forgiveness. A clear-eyed ode to making peace with the trauma the world’s inflicted on you, the song stands tall as an astonishing ballad from not just a single person but an entire band rediscovering their purpose.
Henry Kaplan returns to the director’s seat for “Young Enough” after gifting Charly Bliss one of 2019’s best — and most concisely edited — clips in the memorable “Hard To Believe”. Kaplan takes a different approach for “Young Enough” and the result’s breathtaking. Intended as a loving homage to Kate Bush’s “Running Up that Hill“, “Young Enough” posits the band as a capital A Artist. There are certain beats that rhyme with the Kate Bush clip, especially when it comes to the costuming and choreography, but there’s more than enough original material throughout the clip to qualify it as a genuine standout.
Boasting some of the most pure and gorgeous music video cinematography in recent memory (courtesy of DoP Chris Ripley) and anchored by an overwhelmingly committed central performance from bandleader Eva Hendricks, “Young Enough” carves out spots as both a visual feast and as a towering personal statement and possibly even a statement of intent. It’s immensely hard to look away from the clip at any given moment, as it plays off the idea of time and healing while utilizing a small arsenal of gorgeous visual effects that the clip expertly deploys in key moments to heighten the sense of the narrative’s daunting magnitude.
The world turns sideways, the people close to you offer support, and everything goes hazy at certain points in everyone’s life but it’s up to the individual on whether or not those times of hardship are insurmountable or if there’s a time where you can muster enough resolve to confront them directly. “Young Enough” uses this as a central truth, hinting its way towards a resolution that will never be truly comfortable and necessitates the ugly acceptance of living with defeat. Navigating the aftermath and coming through on the other side without self-loathing is where it gets truly difficult.
Evading that trap of self-defeat or corralling it into something healthy is what makes the final stretch of “Young Enough” so affecting. For the majority of “Young Enough”, the camera rightfully fixates on Hendricks as she navigates that terrain but slowly and steadily, the other band members are pulled into the frame and begin appearing with greater frequency until they’re all united at the end, hammering home a point that enlivened Guppy‘s subtext: the importance of community and friendship.
Without the people closest to us, we can become untethered and lose ourselves in the mist of uncertainty. Our friends and our communities are the bedrock of self-realization and, in our worst times, they can be genuinely life-saving aspects. Kaplan and Hendricks find a way to honor her friends, family, and closest collaborators in those closing frames, underscoring and highlighting a simple, obvious truth: Charly Bliss may have been exactly the vessel Hendricks needed to find a path back to understanding her own truth. If that’s the case, no words could possibly do the power of this clip, this record, or this band enough justice. All we can do is try.
Watch “Young Enough” below and pick up a copy of the record here.