Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Two Months, Six Music Videos

Two months in a world where new releases never stop building can unearth a lifetime’s worth of new material. Whether it’s songs, music videos, or records, there will be more than enough material to keep anyone whose willing to invest the time occupied for weeks on end. This post will take a look back at six of the most notable clips to find release since the last regularly scheduled feature post went up, ranging from short films to compilations to animation. All of these are worth the time.

Lucero – Long Way Back Home

Jeff Nichols has been one of this generation’s best filmmakers since Take Shelter‘s release in 2011. Two people who have been inextricably intertwined in that development are Michael Shannon — who has delivered a number of tour de force performances for the director — and sibling Ben Nichols, who fronts Lucero and has gifted many of Jeff’s films songs for the end credits. “Long Way Back Home” is another impressive collaborative effort from all three talents, with strong ties back to Jeff’s debut feature Shotgun Stories. It’s an incredibly captivating look at a fractured relationship, invoking a sense of dread, deceit, and finality. We could all stand to learn a lot from the brothers Nichols, Shannon, and game co-stars Garrett Hedlund and Scoot McNairy.

illuminati hotties – Cuff

illuminati hotties are in the throes of a breakout year, stacking up impressive pieces with ease. “Cuff” is a psychedelic stream-of-consciousness onslaught of imagery that perplexes and soothes in equal measure, centering around an anthropomorphic fish going through a daily routine. It’s a gripping piece of animation and a vivid display of imagination, the two coalescing into a memorable clip from one of 2018’s hungriest emergent acts.

Courtney Barnett – Charity

Few independently-minded artists seem as deserving of a sweeping victory lap as Courtney Barnett, who has consistently done things on her own terms, whether it be launching a label to ensure total creative and artistic freedom or simply hanging on to the joy of performing in the face of growing audiences and the expectations that accompany that growth. Barnett has yet to make a disappointing record and seems to thrive in the pursuit of artistic evolution. The clip for “Charity” feels like that victory lap, blending in hangout footage with live edit clips from monstrous sold-out shows. It’s a moment that Barnett’s earned and, like everything else the songwriter’s released, immensely enjoyable.

Young Jesus – Saganism vs. Buddhism 

One of the staples of Heartbreaking Bravery’s coverage since it was started five years ago has been Young Jesus, who have moved from Chicago to L.A. and worked their way up from self-releases to a deal with Saddle Creek. Their forthcoming The Whole Things Is Just There is the band’s most ambitious and fearless work to date, which will be their first true effort for their new label. In keeping with their growing sense of experimentation, the band’s releases a music video for “Saganism vs. Buddhism” that the band self-directed, going from a tongue-in-cheek intro that finds bandleader John Rossiter embracing cringe comedy to the illustrations and stop-motion work that has been a mainstay of their visual work for several years. Fascinating and teeming with confidence, “Saganism vs. Buddhism” proves the band’s not concerned about adhering to anything other than the identity they’ve carved out for themselves.

Advance Base – Your Dog 

The simplistic conceit for Advanced Base’s “Your Dog” clip is rendered remarkably effective thanks to the song’s immense emotional heft. Compiled of nothing but fan-sourced photographs of people’s pets “Your Dog” becomes almost unbearably sad. A song written as a tribute to the fallout of a relationship where a partner visits more for an animal than their disappearing partner, the video manages to cut into something lasting, to devastating effect. It’s a draining experience, one that makes implicit and explicit statements about varying degrees of mortality; a reminder that everything has an expiration date. Startling and imbued with raw feeling, “Your Dog” is the kind of clip that sticks.

Dilly Dally – Doom

Dilly Dally‘s “Doom” appears to be the next installment in a series of of music videos that double as a direct commentary on Dilly Dally’s absence and rebirth. The band’s already made varying statements about how they collectively weathered a few trips through personal hell while facing down various addictions and how those experiences nearly buried the band. The clip for “I Feel Free” found bandleader Katie Monk’s literally unearthing the corpses of the other members and urging them to come back to life while “Doom” posits Monks as a torch-bearing leader guiding them to a spiritual ascension. Full of vivid imagery, soft hues, and more than a few nods to witchcraft, “Doom” makes it abundantly clear that Dilly Dally has returned- and that they’re intent on a reckoning.

 

 

Two Months, 12 Songs

Nearly two months have come and gone since the last true feature article was published on these pages. In that time, thousands of good songs have found release, hundreds of records have made varying impressions, and more than a few music videos managed to snag viewers’ attention. This post looks at a dozen of the finest songs to have come out in that time, from names new and familiar. Dive in below.

Charly Bliss – Heaven

Last year’s pick for this site’s Album of the Year distinction recently made an unexpected return on the back of standalone single “Heaven”, which guitarist/vocalist calls the band’s first attempt at a genuinely hopeful look at romantic love. The band balances that optimism out with one of the heaviest and darkest-sounding songs of their emergent career, demonstrating the band’s range and understanding of overarching dynamics. Exhilarating and powerful, “Heaven” is a welcome reminder of Charly Bliss‘ limitless appeal.

Stove – Mosquiter 

In 2015, Stove walked away with this site’s Song of the Year distinction for “Wet Food”, which remains one of the finest songs of this decade. The band’s been relatively quiet of late, which is understandable considering the re-emergence of Steve Hartlett’s other project, Ovlov. Both Ovlov and Stove had new material planned for 2018 and “Mosquiter” is the first look at Stove’s forthcoming ‘s Favorite Friend. “Mosquiter” is a perfect example of what makes Stove worth celebrating, blending painfully relatable experiences into songs that swirl, seethe, and soothe. In short: it’s life-affirming.

Cloud Nothings – Leave Him Now

Cloud Nothings have developed an astonishing level of consistency, something that should be abundantly clear by the time anyone hits play on “Leave Him Now”. Even with that said, it would’ve been hard to predict the explosiveness of “Leave Him Now” which surges through its run time with the tenacity of the band’s best work. It’s a continuation of a recent trend for the band, acting as something of a career summation, focusing in on various aspects of the band’s earlier records and tethering them into something that walks the line between new and lived-in. Both immediate and thoughtful, “Leave Him Now” is one of the best songs of 2018.

Squid – The Dial

“The Dial” will serve as an introduction-at-large to Squid for many, which will make the impact significantly more forceful. To put it bluntly, “The Dial” is an absolute monster of a post-punk song, finding the band effectively navigate pop appeal and post-hardcore intensity. There’s an ambient interlude, a section where the vocals become unhinged screams, and more than a few interlocking grooves that operate as interstitial threads. “The Dial” is a behemoth of a track, making Squid’s presence known. Keep both eyes on this band and keep this song on repeat.

Gouge Away – Ghost

Gouge Away have quietly become one of today’s best post-hardcore bands, building a name for themselves on a string of outstanding releases. “Ghost” is the latest from the band, which manages to be one of their softest moments and their best track to date. Coasting along at a mid-tempo pace, the band leans into each down stroke with conviction and seem to be operating at the height of confidence, evidenced by the risk involved in a boundary-stretching song. It’s a risk that pays staggering dividends; “Ghost” is the kind of track that makes a whole new audience take notice.

Hovvdy – Easy

Cranberry was a consensus pick as one of early 2018’s great records, giving Hovvdy‘s name considerable weight among a certain section of artists and fans. A few tours later and the band’s followed up that extraordinary release with a gorgeous single, headlined by “Easy”. A soothing slow-burn, “Easy” is characteristic of the band’s best work, drawing in the listener and making sure they stick around to enjoy every subtle nuance embedded into an intoxicating strain of indie pop. Beautiful, meditative, and compelling, “Easy” is a can’t-miss.

Strange Ranger – New Hair

Following up a record that guarantees a cult following, no matter the size, is never an easy feat. Fortunately, Strange Ranger prove up to the task on “New Hair”, the best track of the band’s career. An explosive burst of basement pop, “New Hair” finds Strange Ranger embracing their powerpop tendencies but injecting a level of grit and determination into it that prevent the track from being remotely saccharine, while still finding a way to encapsulate their older prominent influences. It’s impressive and effective, suggesting Strange Ranger aren’t content with cheap trills and searching for longevity.

Pip Blom – Come Home

Over the past several years, Pip Blom have been transforming themselves from a band with promise to a project that’s threatening to break out as an emergent act. “Come Home” suggests that it’s only a matter of time before Pip Blom start making bigger waves, operating as an irresistible slice of insistent indie pop. Informed by post-punk and incredibly aware of effective composition with an expert’s grasp on dynamic structure, “Come Home” is the kind of track that’s tough to shake. It’s also a track that guarantees repeat plays.

Swearin’ – Future Hell

One of the most heartening developments of this past year has been the promise of new material from the recently reunited Swearin’, a band that put out this decade’s best demo and one of its best records. Guitarist/vocalist Kyle Gilbride once again takes center stage, voice teeming with both determination and conviction while the band gives the track their all. Intuitive guitar figures and a solid rhythm section elevate the material further, erasing any doubts that Swearin’ have lost a step in their absence. We should all be thankful they’ve returned.

Gabby’s World – Winter, Withdraw

Recently Gabrielle Smith‘s Eskimeaux project shed that moniker in favor of Ó, which turned out to be a temporary placeholder that’s now made way for what should be the project’s final name: Gabby’s World. With that change, the project seems to have a renewed sense of purpose, something evidenced by the ambition of “Winter, Withdraw”. One of the project’s most gorgeous and most breathtaking moments, “Winter, Withdraw” will be the lead-off track for Gabby’s World’s forthcoming Beast on Beast and sets an extraordinarily high bar when paired with other advance track “Rear View“. Whether or not Gabby’s World can live up to the early precedent shouldn’t even be a question.

Yowler – Angel + Where Is My Light

Maryn Jones is either directly responsible or has played a pivotal role in some of the best records and songs of this decade already, thanks to the songwriter’s involvement in both All Dogs and Saintseneca. Yowler, Jones’ solo project, always can claim an entry or two in that category, and returns this year with Black Dog In My Path. Two of the advance tracks for the record occupy different territory but showcase the project’s shift to a full band. Angel is a tender, wistful track that fits in with the project’s earlier material while “Where Is My Light” is a shock to the system, plunging Yowler into unfamiliar — and incredibly dark — depths, incorporating a sludge influence to breathtaking effect for one of this year’s most thrillingly unexpected turns. Both tracks paired together have more than enough to suggest that Yowler may be on the verge of releasing one of 2018’s most inspired records. None of us deserve Jones’ run but we should all be eternally grateful to bear witness.