Heartbreaking Bravery

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One Great Week, Five Great Records

A small handful of anticipated records were released over the past week, as well as a few surprises. From veteran acts to those looking to capitalize on heavily acclaimed debuts to new acts with no name recognition looking to make the mark, it was a typically diverse week in the world of music. Five of those records hit incredibly hard and will be expanded upon in the main section but don’t let that distract you from some incredible releases by the following: Small Circle, Dead Stars, Claire Nelson-Lifson, Partner, Tomberlin, Even As We Speak, Baby Jesus, L.A. Witch, and Small Souls, all of which nearly were featured themselves. As always, everything’s worth hearing, so block out any excess noise and surrender to the magnetic pull of each and every one of these releases.

1. Alvvays – Antisocialites

Alvvays had a lot to live up to after their breakthrough debut and they’ve more than delivered with Antisocialites, expanding on the ideas and the aesthetic of their winsome first record. All of the impossibly magnetic melodies are intact while the arrangements are a hair sharper this time around, the instrumental interplay and vocal decisions bolstering an immensely likable record. Sometimes the records we hope bands will make wind up being made and Antisocialites is one of those records. Hit play and fall in love.

2. Sundial Mottos – Sundial Mottos

Sundial Mottos are a new band, who just happen to feature A Years Worth of Memories contributor Alisa Rodriguez, as well as Midnight RerunsGraham Hunt and Brady Murphy. They also just happen to be extremely good and responsible for one of the best EP’s to come out of the Upper Midwest this year with their self-titled debut. Hunt remains one of the better lyricists working today and delivers another acutely-realized and lived-in narratives with the opener “Service Industry”, which also boasts some effective slide work. It’s an impressive start to an EP that never comes close to wearing out its welcome.

3. Strange Relations – Editorial You

Strange Relations have made a habit of snagging feature write-ups on this site — most recently with Editorial You‘s exceptional “Say You” — so it’s probably too much of a surprise to see their name here yet again. Editorial You, the band’s latest record is also, by far, the best work of their already formidable discography. The band’s grip on dynamics, arrangements, and atmospherics (and just about everything else that can make a record great) has grown and their mastery is on full display throughout the record. Easily one of the year’s most intriguing, inventive, and downright arresting records.

4. Beachtape – Hold Music

Beachtape, another band from the excellent Sweden-based punk label PNKSLM have been featured on Heartbreaking Bravery a few times before, always offering up hints at their identity. With Hold Music, the band finally feels complete. An astonishingly good EP that blends elements of dream-pop, surf, shoegaze, and basement punk into an extremely enticing tapestry, Hold Music is the type of EP that’s destined to turn quite a few heads. It’s hard not to imagine that if Beachtape continues down the path they’re on, a lot more people will know their name.

5. Lomelda – Thx

One of the more gently unassuming songwriters of the past few years, Lomelda, found a nice push in signing to Double Double Whammy (a label already responsible for the release of several of the years best records including Cende and Great Grandpa) for Thx, one of this year’s finest bedroom pop records. Wielding an incredibly enticing sense of melody and a penchant for relatable narratives, Thx quietly swings for the fences and finds itself lost in thought as it rounds the bases. An absolutely soundtrack for the colder seasons.

Versing – Call Me Out (Music Video)

The last week was a relatively quiet one for music videos but still made enough room for great clips from Caddywhompus, Lunch Ladies, Spinning Coin, The Dream Syndicate, Jeff Beam, Holy Hum, Lonely The Brave, Manchester Orchestra, Dream Wife, Swimming Tapes, Iron Chic, Carla del Forno, Elliott Brood, and Jessica Boudreaux. Joining their ranks as commendable efforts was the charmingly minimalist clip from Versing for their latest career highlight “Call Me Out”.

For a while now, Versing have been generating momentum and finding ways to accelerate it instead of opting for a route where its just sustained. Whether it’s opting for a tongue-in-cheek record name or just finding ways to improve, they seem intent on not just making a splash but staying in the water to kick up a series of waves. To that end, “Call Me Out” is a perfectly-timed release that hits all the right notes: simple, DIY, gripping, and adhering to a relatively straightforward, high-impact aesthetic while still finding enough room for a hallucinatory bent.

Directed by Daniel Salas, “Call Me Out” is little more than the band playing “Call Me Out” in a field, while simple border effects sweep in and out of the shot. It’s a clever conceit that allows the band to play up their identity and it’s elevated by everyone’s commitment to the idea. Of course, it helps that “Call Me Out” — a shoegaze-leaning basement punk ripper — is the best song from the band’s discography thus far, elevating the clip even further. When all is said and done and the clip winds to a close, it’s hard not to want to just go back and let it run from the start all over again.

Watch “Call Me Out” below and pre-order Nirvana from the band here.