Heartbreaking Bravery

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Tony Molina – Hung Up on the Dream (Stream)

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While Monday, Tuesday, and Wednesday saw a period of relative inaction for this site, that didn’t prevent Real Numbers, Never Young, Luxury Death, The Dazies, Dark Mean, Active Bird Community, American WrestlersSLØTFACE, Hello Shark, House of Wolves, Peeling, Justin Peter Kinkel Schuster, Warpaint, Swampmeat, Jeff Rosenstock, The Nursery, Shamir, Mouse on the Keys, Tredici Bacci, The Tins, The Regrettes, Julia Ruzicka, Personal Space, Brain Tentacles, Birthday Club, White Laces, Primal Static, and Violence Creeps from releasing a small army of great songs that deserve as many attentive ears as possible. Another artist that added to the pile, Tony Molina, returns to the feature slot less than a week after the release of “See Me Fall“.

Like “See Me Fall”, “Hung Up on the Dream” — the second track to tease Molina’s forthcoming 7″, Confront the Truth — leans into an acoustic angle that grounds the songwriter in intriguing ways. Far removed from the exhilarating excess of Molina’s past work, “Hung Up on the Dream” manages to invoke and echo a formidable cast of influences. Traces of everyone from The Beatles to Cat Stevens to Weezer to Sparklehorse are evident throughout “Hung Up on the Dream”, without ever overwhelming Molina’s own identity.

Clocking in at under 90 seconds, Molina still manages to convey a frighteningly realistic sense of heartache and longing. The phrase that gives the title its track opens the set of lyrics, which eventually reveal themselves to be the most strikingly vivid of Molina’s storied songwriting career. There’s an unavoidable resignation that defines “Hung Up on the Dream” that winds up elevating the song to a quiet transcendence.

It’s another masterstroke from an engaging artist who may just be on the verge of releasing 2016’s best 7″. If the rest of the eight-song collection can live up to the precedent set by “See Me Fall” and “Hung Up on the Dream”, Molina’s name could be showing up in a lot more places in the year’s final stretch. No matter how things shake out, it’ll be a privilege to be present for the ride.

Listen to “Hung  Up on the Dream” below and order Confront the Truth from Slumberland here.

Japanese Breakfast – Everybody Wants to Love You (Music Video)

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Over the course of the first three days of this week music videos from Forth Wanderers, Infinity Crush, Amy O, Communist Daughter, Emma Ruth Rundle, The Coathangers, Dead Leaf Echo, July Talk, Geowulf, Pixx, MV & EE, and Vallens all emerged (and were well worth watching). As good as all of those titles wound up being, the attention here mostly falls to another gorgeous collaboration between the House of Nod production team and Japanese Breakfast.

Director and cinematographer Adam Kolodny is once again at the helm, controlling the action with a deftness that plays up the narrative’s lyrical quality. Michelle Zauner, who started Japanese Breakfast as an outlet for more personal work, joins Kolodny as a co-director. The results of their creative partnership are spellbinding. The emotional resonance of “Everybody Wants to Love You” goes far past the formidable sense of style and hinges on one heartbreaking detail: throughout the entire clip, Zauner’s wearing her mother’s wedding dress, tying together two important elements of the devastating final section of her piece for this site’s A Year’s Worth of Memories series.

Even with that shattering detail, “Everybody Wants to Love You” is imbued with a liveliness that makes it endlessly compelling. Littered with references to Eastern cinema, the clips also becomes a rapidly-shifting playground of influences that are worn proudly on the sleeve. Zauner’s central performance is suffused with the kind of effortless magnetism that continues to draw people to the Japanese Breakfast project.

As is always the case with House of Nod, everything is gorgeously lensed and treated with a sense of careful consideration. Every element of “Everybody Wants to Love You” ties together with the kind of precision that makes even the strongest visual flourishes feel like they’re part of an incredibly comprehensive whole. A host of familiar faces and locations enliven the proceedings even further, allotting “Everybody Wants to Love You” a communal, celebratory atmosphere.

\In pairing one of the year’s best songs with exhilarating filmmaking, “Everybody Wants to Love You” is precisely the kind of clip that artists and directors should be looking to for cues years down the line. Dive in and get lost in its magic.

Watch “Everybody Wants to Love You” below and pick up Psychopomp here.

Fake Palms – Heavy Paranoia (EP Review)

fake palms

The first trio of days this week were comprised of a large handful of impressive full streams that came via Ghost Gum, Katie Ellen, Ganser, Sculpture Club, The Royal They, Joey Sprinkles, Idiot Genes, Tongues, Edgar Clinks, Jackson Boone, Kyle Morton, and Residuels. There was also an incredible compilation that came courtesy of a collaboration between Swell Tone and Z Tapes entitled Summer of Sad. While each of those releases deserves all of the investment they’ll undoubtedly receive and more, this post’s feature spot falls to the great Fake Palms and their outstanding forthcoming EP, Heavy Paranoia.

Back in 2015, Fake Palms grabbed another of this site’s feature spots for their dark, insistent “Sun Drips“. It’s astonishing how much the band’s grown in that time and Heavy Paranoia is concrete proof of their accelerated sense of artistry. From the onset, Heavy Paranoia ably demonstrates the band’s creative expanse with the towering “Collar Bone”. Riding the crest of a monstrous wave of hooks, sharp riffing, and a cold atmosphere that’s — somehow — conjured up by almost exclusively warm tones, “Collar Bone” immediately becomes distinctive and sets a ridiculously gripping precedent for the quartet of tracks to follow.

“Holiday” and “Frequencies” both hurtle along at a quick pace that still allows Fake Palms to establish a sense of expanse. Both tracks are perfect examples of the band’s acute awareness of dynamic structure, successfully playing several angles in one fell swoop. Whether it’s to create a sense of mild discord through committing to figures designed to emphasize ambient effect rather than melody or in shifting the tonal qualities of their tracks, every idea works beautifully. Importantly, the band also expertly navigates the pacing of Heavy Paranoia, lending it a feel of completion that few EP’s have managed to achieve.

By the time Heavy Paranoia‘s closing track hits, Fake Palms have already secured the EP the distinction of being the best release of their career. Fortunately, that last track, “Snowblink”, only solidifies that distinction. As characteristically spare and relentless as the preceding songs on this miniature post-punk masterpiece, “Snowblink” does eventually hit an enormous, sprawling moment that serves as the climactic final sequence of both the song and the EP. Those final three minutes are the most exhilarating of a release that’s never anything less than arresting and ensure that Heavy Paranoia‘s a release worth remembering.

Listen to Heavy Paranoia below and pre-order the EP here.