Heartbreaking Bravery

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Watch This: Vol. 138

While Car Seat Headrest, Abi Reimold, Lisa Prank, The Dove & The Wolf, Emma Russack, Black Thumb, Mindie Lind, Kiran Leonard, Laura Gibson, Wovenhand, CHVRCHES, Pig Snout, Metronomy, Clique, Skeleton Hands, Gang Gang Dance, Graveyard Club, Men of Paradise, Haux, Arc Iris, David Bazan, Pure Bathing Culture, Typesetter, Lisa Hannigan, and naps all had incredibly strong live video outings — culled from a variety of inspiring sources — last week, it would have been an exercise in futility to run them all together in a focal capacity. Even five featured slots can occasionally feel a touch excessive but it seems that anything less than five doesn’t typically do the format’s offerings justice.

The five clips featured today come from bands that have, in some form or another, garnered positive notices from this site in the past. Seeing these acts continue to grow, expand, succeed, and even flourish has been heartening. Seeing them excel in the live department remains galvanizing. There’s an expansive range from the selected acts (and their accompanying videos), in terms of style. All of them are worthy of praise. So, as always, sit back, tune up, lean in, and Watch This.

1.  Okkervil River (WFUV)

With their forthcoming Away nearing its release date, Okkervil River‘s been making some early rounds to promote the record.  It’s impossible to overstate how important Okkervil River were to the development of this site’s personal ethos, so any time the band makes a return it’s more than welcome. Here, they perform two songs from Away but continue to demonstrate their immense skill at re-interpreting their own material, offering an incredible version of “For Real” — easily one of the best songs since the turn of the century — that hints at their worldview. It’s an immensely impressive session and a memorable portrait of a band that’s never really gotten their due.

2. Worriers – Plans (Live From the Rock Room)

Last year’s Imaginary Life was Worriers‘ finest moment to date and the band still seems to be riding a surge of adrenaline and confidence from that small triumph. The quartet recently visited Live From the Rock Room to deliver a galvanizing rendition of “Plans”, one of that record’s many standouts. The band continues to be defined by both their intelligence and extreme amount of heart, both of which are fully on display in this clip.

3. Prism Tats (KEXP)

Prism Tats have been having a breakout year, releasing their formidable self-titled debut full-length on ANTI- Records and producing a string of praise-worthy music videos. They’ve been touring with some bands that have serious weight behind their names and making a small sea of fresh converts at just about every stop. Here, the band turns in a powerful session for KEXP, revealing their increasingly sharp interplay and knack for subdued, hook-heavy basement pop. The whole clip looks and sounds beautiful, standing as a strong example of what can be accomplished with the right people on both ends of the camera.

4. Big Thief (KDHX)

Masterpiece was an immediate standout upon its release and remains one of 2016’s finest records. It’s catapulted Big Thief into a new level of fame and the band’s responded in kind, continuously sharpening their craft and all but perfecting their penchant for sweeping, open-road anthems tinged with nostalgic hues. The band recently visited the KDHX studios and played through two songs, including the unforgettable and melancholic “Paul“. The band pairs it with a deeply felt run-through of “Vegas”, offering both a very strong reminder of Masterpiece‘s astonishing strength and their breathtaking prowess as a live unit.

5. Fresh  Snow – January Skies (Exclaim!)

For some time now, Fresh Snow have excelled in crafting aggressive, ambient tracks that come fully equipped with a decidedly punk influence. Their live show has been a consistent standout and the band holds nothing back for this atmospheric Exclaim! clip of the band playing “January Skies”. There’s a feeling of rawness through the whole affair that seems to be at odds with the serene lighting, creating a strange, unsettling feeling that elevates this far beyond the standard performance clip. There’s some magic at play here and it continues to cast out the kind of spell that simply can’t be refused.

Green Dreams – Here At Castle Makeout (Album Review)

green dreams

At the end of last week, a solid haul of full streams emerged and included impressive new titles from Brat Kings, Tape Waves, Birdboy, Daisy Victoria, Cleo Tucker, Sharks’ Teeth, and Nathan Bowles. The record to grab this post’s featured spot came from site favorites Green Dreams, who are riding a creative rebirth and utilizing the impressive behind-the-boards talents of some of their friends from Perfect Pussy.

Following a steady build that was comprised of a demo, an EP, and a 7″ (all very strong), Green Dreams have finally settled into a lineup and sunk their teeth into a full-length, Here At Castle Makeout. Opening with “Be Here Now”, it’s clear from the outset, the band hasn’t lost a step. Shaun Sutkus, Ben Moley, and Meredith Graves all keyed into the band’s most ferocious qualities and amplify them in various production capacities, sculpting the sound quality into a near-feral, lo-fi attack that perfectly amplifies Green Dreams’ untethered aggression.

Of course, their combined efforts would only carry the music so far if the songs were limp and, unsurprisingly, Green Dreams seem continuously incapable of writing anything that’s less than potent. Half-efforts just simply aren’t in the trio’s constitution. After “Be Here Now” sets the tone for Here At Castle Makeout with a melodic strain of damaged noise-punk that closes out with a section of ambient noise that’s overlaid with Jane Fonda’s famous screed against prejudiced bigotry in Colin Higgins’ classic Nine to Five. It’s a moment that touches on the band’s well-placed sense of frustration and anger, providing the rest of the record with a tenacious sense of purpose in its earliest stages.

From that point forward, the record never ceases in delivering punishing blows that are teeming with feeling. “100 Days” stands out as an early highlight, perfectly balancing the band’s bruising wall-of-noise with guitarist/vocalist (and principle songwriter) Jesse Amesmith’s frantic vocals, which swing from tempered to unhinged on a dime. In a record full of exhilarating moments, “100 Days” may be the most definitive example of what the band can accomplish when they strip themselves of any reservations and go on the offensive.

Of course, “100 Days” isn’t the only immediately effective moment on Here At Castle Makeout and the record continues doling out moments of fury as it progresses, slowly transforming itself into not only a bone-rattling noise-punk record but a blistering political statement. “Body Magic”, another track that implements outside dialogue, not only contains a message of self-worth that touches on several key aspects in a short amount of time (among them: body-positivity, disallowing the tendency to be defined by others, and the callousness of sexual assault). There’s an abundance of feeling in these songs that’s impossible to ignore and makes several of the narratives that litter Here At Castle Makeout cut incredibly deep.

Several of those themes that “Body Magic” hits so succinctly are prevalent throughout Here At Castle Makeout, whether they’re refined into one specific topic or continue to combine them into pointed, wide-range commentary. All of them — and a few more related topics — are driven home in the record’s astonishing final quarter, which slows the tempo but ups the immediacy, creating a breathtaking run of songs that refuse to be ignored. By the time the woozy acoustic epilogue rolls in, it’s easy to taste the smoldering wreckage left in its wake.

Here At Castle Makeout is a furious record that knows it’s overwhelming amount of anger comes from the right place. It’s an unwieldy piece of noise-punk that’s informed by both pop and hardcore, which is elevated by the sheer strength of Green Dreams’ convictions. Easily their most impressive work to date, Here At Castle Makeout is the type of record that seems destined to gain strength as more people give in to its force. One of 2016’s finest — and timeliest — records, Here At Castle Makeout deserves every bit of praise that’ll undoubtedly come its way.

Listen to Here At Castle Makeout below and pick it up here.

No Hoax – No Hoax (Music Video)

no hoax

Music videos from the likes of Green Dreams, TwistSLØTFACE, Heidi Lynne Gluck, The RaveonettesTrentemøller, NAKED, and Mick Jenkins closed out last week in a memorable fashion. In that stretch, emergent Wisconsin act No Hoax also finally offered up their first round of recorded material and a blisteringly effective music video to accompany that release. “No Hoax”, their untitled debut EP’s centerpiece claimed the distinction of being the band’s first visual presentation and it serves as a definitive statement of the band’s early identity.

At the start of this year, I was fortunate enough to share a bill with No Hoax and catch their live show, which has been building a steadily increasing amount of buzz for over a year. The set they played remains one of the most powerful I’ve seen in 2016, which has boasted some seriously memorable outings. Combining a shoegaze-friendly wall-of-sound with post-punk atmospherics and absolutely vicious hardcore leanings, they conjured up something visceral and unforgettable. Since that set, the wait for their first recorded material has been frustrating but, thankfully, that wait’s finally over.

Not only has the band offered up their ferocious EP, they’ve provided an accompanying music video. “No Hoax”, easily the quietest moment on the EP, gets some additional bite with a direct black-and-white clip of the band performing the song in various locations. There are no frills and no flashy editing tricks, allowing the band to boldly stand on their own immediate merit, which is considerable and backed up by the members’ collective pedigree. By the time “No Hoax” ends, it feels less like a music video and more like a warning shot. No Hoax is planting their feet in the ground, not moving an inch, and making their name known. Learn it now.

Watch “No Hoax” below and pick up the band’s debut EP here.

Eric Slick – The Dirge (Stream)

eric slick

Winston Hightower, Caged Animals, Shell of A Shell, Omar Rodriguez-Lopez, and Street Sects all unveiled notable songs to round out last week’s offerings with a healthy amount of both style and substance. While each of those tracks is well worth exploring, this post’s focus falls to another surprise release from A Year’s Worth of Memories contributor Eric Slick, the multi-talented musician that sits behind the kit for Dr. Dog and leads the scintillating, punk-fueled basement pop attack of Lithuania.

Following the lovely, mellotron-heavy “No”, Slick offers up what feels like a natural successor for his solo project in the aptly-titled “The Dirge”. Slick’s recently emerged as a lyricist of formidable talent, pairing his already enviable chops in pure composition with an intuitive understanding of what makes a narrative effective. All of those elements of Slick’s approach are firing on all cylinders for the gorgeously layered and commendably nuanced “The Dirge”, which blends artful production with a mournful tone to a gentle, uneasy perfection.

It’s a beautiful four and a half minutes that makes its mark and leaves the kind of impression that quietly resonates long after its finish. In taking cues from classic pop records and sharpening them into something decidedly more modern, the end results still wind up feeling oddly timeless. “The Dirge” is another incredibly tantalizing look at what Slick’s aiming to achieve with his solo outings and considerably elevates the anticipation for the project’s next move. If Slick can keep pace with the standard set by “The Dirge” and “No”, we’re all in for some astonishing music down the line.

Listen to “The Dirge” below and keep an eye on this site for more updates on the project.