Heartbreaking Bravery

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Pleistocene – Liberteen (Stream)

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There are few things more exciting to me than coming across a band worth getting excited about- and the latest addition to that list is Pleistocene, whose “Liberteen” is nothing short of a sugar high. Before getting around to that, though, just like the posts leading up to this one, there will be ten songs that get mentioned based on their strength. 2015 has supplied no shortage of outstanding music in its first four months and these have all surfaces in the past few weeks. Included in those ranks were Glockabelle’s typically insane “Wolf BBQ“, FFS’ dancefloor-ready “Johnny Delusional“, Rose Windows’ winningly complex “Strip Mall Babylon“, and a new solo song from one of the most brilliant songwriters I’ve ever encountered, Colin Bares (of The Coral Riffs, Good Grief, and The Cost of Living), entitled “Infinite Celebrity“. Additionally, there was Western Plaza’s carefree basement pop tune “Thrift Store Girl“, Turnover’s light, charming “Humming“, and Prurient’s terrifyingly brilliant “Greenpoint“. Piling things on were Blur’s freshly rejuvenated “My Terracotta Heart“, O-Face’s sunny indie pop number “Yolanda“, and site favorite Courtney Barnett’s beautiful cover of John Cale’s “Close Watch“. While each and every single one of those is a title worth purchasing, it’s Pleistocene‘s “Liberteen” that earned this post’s feature.

Pleistocene have been a band for a while and have somehow evaded my detection in their time of existence. I’m already attempting to make up for lost time but, even more than that, looking forward to what the band’s got lined up for the future. “Liberteen” is the first glimpse of the band’s forthcoming Space Trap EP (due out via Cherish Records) and it lands every blow it throws. A series of sweet grace notes, it’s another song that deftly combines some subtle twee elements with powerpop and fuzzed-out punk. In short, it’s just about perfect. Melodic beyond reason and effortlessly light without ever seeming disposable, “Liberteen” is the perfect soundtrack for this spring and that distinction will likely extend to summer. Insistent, beautiful, and immensely likable, Pleistocene have thrown their stake into a niche area that’s directly in line with what this site loves to cover. If the rest of Space Trap follows suit, it may just become one of the year’s more memorable releases.

Listen to “Liberteen” below and keep an eye on this site for more coverage of both Space Trap and Pleistocene.

Connor La Mue – Stargazer (Stream)

The Sleepwalkers II

I’ve come to regard a lot of my friends as family over the course of my time playing in bands, booking shows, and documenting as much of Wisconsin’s music scene as I possibly could. Two of the bands I made really early, meaningful connections with were The Sleepwalkers and recent Texas Is Funny signees The Midwestern Charm; two bands that have been intrinsically connected since their formations. Both acts have shared members for years, one of which being Connor La Mue (who fronts The Midwestern Charm and is The Sleepwalkers’ bassist), who has quietly been releasing solo demos under his own name. One of them, “Stargazer”, is among the best La Mue’s ever written. Before going too in-depth on that, though, it’s worth noting that yet again there’s been a lot of incredible music to appear over the past two months. Among those songs: Thee Oh Sees’ blissed-out psych-punk tune “The Ceiling“, Algiers’ punishing, soulful “Black Eunnuch“, Braid’s propulsive “Because I Am“, Damien Jurado’s magnetically weary “Oh The Land Blues“, and Ancient Sky’s massive, brooding “Garbage Brain“. Continuing to rack up the great songs count were Tracey Thorn’s gentle “Let Me In“, Michael Rault’s breezy psych-pop throwback “Lover’s Lie“, Ryn Weaver’s enchanting ambient pop piece “The Fool“, Blanck Mass’ unrelenting “Detritus“, and Tim Kasher’s sprawling folk-tinged Chris Farren cover “Half Full“. Now, with all of those accounted for, it’s time to refocus on the punchy, lo-fi micro-punk of “Stargazer”.

La Mue’s built himself a consistently impressive discography but hasn’t gone the full solo route since his formative years in music. Now, he’s grown restless, with the attention surrounding his work at an all-time high. That restlessness seeps its way into “Stargazer” which is, all at once, the shortest, most immediate, most bruising, and most freeing thing he’s committed to any sort of recording. Built around a drum track, La Mue fully indulges a 90’s influence that may owe a bigger debt to Guided By Voices than his work with either the Charm or The Sleepwalkers may have suggested. Raw, exhilarating, and bold, “Stargazer” hinges on the repeated mantra of “Do you ever wonder where we came from?” betraying its creators sense of wonderment to a fascinating degree. When the solo comes sweeping in to lead “Stargazer” to its rousing finish, it’s a genuinely stunning moment. Gritty and absurdly promising, “Stargazer” seems to point out, against all odds, that La Mue- after around 10 years of making and releasing music- is only just getting started.

Listen to “Stargazer” below and keep an eye on this site for more from La Mue’s other projects.